Paganini's Caprice Number 24, from his Twenty-Four Caprices for Solo Violin (Opus 1), is widely considered one of the most difficult pieces for violin solo, and has served as an inspiration for many composers. He was one of the most celebrated violin virtuosi of his time, and his works had profound influence on the evolution of violin techniques. Niccolò Paganini (1782 - 1840) was an Italian violinist, violist, guitarist, and composer. Liszt composed an extensive and diverse body of works, which influenced subsequent composers such as Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg, and Alexander Borodin. Franz Liszt (in ungherese Liszt Ferenc, in tedesco anche Franz von Liszt Raiding, 22 ottobre 1811 Bayreuth, 31 luglio 1886) è stato un compositore, pianista, direttore dorchestra e organista ungherese del periodo romantico. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. During the 19th century he was famous throughout Europe for his great skill as a pianist. The work has been arranged by other composers and pianists, for example by Ferruccio Busoni and Marc-André Hamelin.įranz Liszt (1811 - 1886) was a Hungarian composer, pianist, conductor, and teacher. ![]() La campanella's melody comes from the final movement of Niccolò Paganini's Violin Concerto Number 2, in which the tune is reinforced by a little handbell. The piano was passed on to Liszt most famous pupil, Sgambati.La campanella ( Italian: the little bell) is the nickname given to the third of the six Grandes étude s de Paganini ( Grand Paganini Études), S. This piano was sent to Rome in 1860 were Liszt played it till he died in 1886. ![]() The repertoire maestro Campanella has chosen here fits perfectly with the sound of the piano, late works influenced by thoughts on death and the old age. This fantastic Bechstein 247 is restored in 2010 in its original condition and now for the first time used for this first-class recording by Michele Campanella. He is internationally known as one of the major interpreters of the Liszt repertoire, and was awarded the Grand Prix du Disque three years in a row by the Franz Liszt Academy in Budaest. Michele Campanella is professor of piano at the Accademia. ![]() ![]() This collection of Liszt’s late works reflects the composer’s feelings about old age, the virtuoso brilliance of his earlier works replaced by sparser textures and experimental harmonies, including the dark and glittering Valses Oubliées, the impressionistic Nuages Gris and En rève, and the series of musical memorials to Hungarian artists and statesmen, Historiche Ungarische Bildnisse. This is a remarkable recording of the Italian pianist Michele Campanella performing a selection of Liszt’s late works on this historic instrument, in the grand and sumptuous Liszt salon within the 14th century Palazzo Chigi Saracini, the home of the Accademia Musicale Chigiana. In addition,Almagia knew that Liszt had links with Siena, as he had stayed there with Wagner and his family. $ įranz Liszt’s own Bechstein piano was donated to the Accademia Musicale Chigiana in Siena as a result of a warm friendship that struck up in 1938 between the owner of the piano, Roberto Almagia, and the founder of the Accademia, Count Guido Chigi Saracini.Īlmagia had bought it for his wife, but she had since died, and he was so impressed with the Count, he felt instinctively that the Accademia was the right place for the piano.
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